Winter boogie-woogie

 

Starlings on the rooves

Hip-hop hopping, tip-tap tapping

Snow stomping flappy happy

Getting in the winter mood.

 

Fiery looking foxes putting on their groove

Foxtrotting through the frosty frozen fauna

Racing hastily through the forest

Working on their festive foxy moves

 

Red squirrels with dancing shoes

Snowy soft shoe shimmy shuffle

Acorn tapping troubadours

working the winter wonderland blues.

 

©Alison Jean Hankinson

Getting the groove on for d’Verse...

 

Ode to the brogue- the ginnel of love.

When I grew up in days of old

And the sun set over yonder

Old folks spoke in northern brogue

It made me stop and ponder.

 

In the backstreets of old Rossendale

Where buxom lasses were bonny

We spoke with a local dialect

And people say we talked funny.

 

In claggy weather we had council pop

Winter woollies when feeling nesh

Mam put our mittens on a string

It made us kids look gormless

 

If we mithered we were clattered

Told to keep our cakeholes shut

They chided us umpteen times

To keep the back door shut.

 

We played hide and seek in ginnels

Cleared snow from neighbours paths

Skriked our way through family traumas

Sweated cobs when’t’sun were’t crackin flags.

 

We spoke a different language

Didn’t give tuppence for what you thought

We’d go t’foot of our stairs

If anyone sold us short.

 

Fresh air and love we lived off,

With Church socials on a Saturday night

We might have not talked proper

But we treated each other right.

 

© Alison Jean Hankinson

Image Eden Methodist Walking Day- C 1972

Image Eden Methodist Walking Day- C 1979

I am linking this for the last OLN at d’Verse.

IMG_1756

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Brogue: a way of speaking Englishespecially that of Irish or Scottishspeakers:

Ode to the town hall clock.

The town hall clock, hands of time

Counting the minutes, measuring the moments

Of our paltry lives.

 

We don’t look up enough

Sometimes we don’t see beyond our own story

Yet still the hands move round.

 

That same clock struck 11, sixteen years ago.

Same minute, same location, same season.

The leaves fell to the ground in remembrance.

 

Synchronicity in those hands

You were so small then in your red coat.

Time stood still for that one moment.

 

I captured your essence in early digital perfection.

The father, the child, the moment

Beneath the town hall clock, the hands that never stop.

 

©Alison Jean Hankinson

This is for d’Verse. It is my ode to the town hall clock which seems visible from just about everywhere in Lancaster. The theme and timing is appropriate as it will be Remembrance weekend. The feature image was taken after the service in 2001 where ironically my husband was in the remembrance parade before he became a veteran of war.

 

 

 

 

 

November frost.

City skyline

Frosted borders fringe the kerbstones

Mist mysteriously rising from the River Lune

Castle walls clear against the backdrop of a steely blue sky

Last umber leaves sombre against the sun’s glistening rays

Beautiful day to breathe.

Indeed we are infinite.

 

© Alison Jean Hankinson.

We are infinite came from the perks of being a wallflower– one of my favourite film scenes, the tunnel. This morning was so beautiful and fresh that it reminded me of this, especially travelling across the bridge. I was driving though so couldn’t get a photo. This one I have used under creative commons. Credit below.

Image- credit:

© Copyright Paul Harrop and licensed for reuse under this Creative Commons Licence.

 

More Magic

Herbs and bits of stick

medicines to cure

gardening lemongrass, hogweeds, valerian.

 

Rituals and superstitions

lunar chart an astrological schedule

The garden thrived.

 

Chinese medicine, English folklore

Everyday magic

Layman’s alchemy.

 

Alison Jean Hankinson

A second contribution for d’Verse MTB, using the erasure style…a second stab at Magic…but from a different source….

Image-spices and herbs by futureshape.

blackout 2

Magic

All the house was silent

Night-light burning on the mantelpiece

Off to sleep.

 

Spring came

Long days in the garden

Rides in the wheelbarrow.

 

Long June evenings

The bracken swayed gently

The sun sank lower.

 

Thicket of raspberry canes growing tall

Tropical jungle in long sunlit hours

Fairy huts in the flowerbed.

 

Quiet evenings in the wood

A tear fell to the ground

And a flower grew.

 

A mysterious flower

Slender green leaves the colour of emeralds

Blossom like a golden cup.

 

The moon had risen

The forest was beautiful, fronds like frosted silver

Tree-trunks wild danced with their shadows.

 

Velvet grass dancing, the fairy kissed him

Springing jumping whirling

He was real at last.

 

Alison Jean Hankinson.

This is for d”verse MTB.

I ought to add this is a form called erasure or blackout.

The text was too large to put the whole as a picture….see if you can spot where it came from….The other image might help a tiny bit….it is Emily’s…shh….

 

 

Charlie the pheasant…

Charlie was a pheasant

Who lived out in the bush

He came out when the sun shone

Eating insects in a rush

 

His wife was rather drab

In plumage next to him

She strutted across the garden

In sunshine frost and rain.

 

Mating calls would echo

Springtime rooster ruled the lair

Sometimes he had a harem

For the pheasant chicks to fare

 

Charlie was a pheasant

Who didn’t live for long

But in this time brought happiness

Despite his awful song.

 

©Alison Jean Hankinson

Submitted for d’verse open link night.

 

 

 

 

What am I?

A nagging doubt

As my footsteps dulcet echo across the darkened dismal cobbles of a dreary street

Dutiful.

 

A whisper of solace

As our lives we share, and you weep and ache with despair

Comforter.

 

A cacophony of cheeriness

As we stride with gusto into growing uncertainty

Supporter.

 

A melancholy melody of metamorphosis

As I struggle to flutter and fly, reaching for the stars in the sky and knowing that I

wore the mask of the chameleon.

 

A rich and colourful cadenza of congeniality

As I reminisce and retreat

Into my own colourless void.

 

© Alison Jean Hankinson

 

This if for poetics at d’Verse.

The image was labelled for reuse and was in the public domain- wikimedia-

By Nic McPhee from Morris, MN, USA (Corn and sunflower (butterfly is optional)) [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons

Kaos

Butterfly jitterbug

Scantily across the mildewed road

Sordid sounds of rank and file

Perturbed the air

Candyfloss tears

Mistaken identities

Purriri moth in damson tree.

When the wind blows cold

I shall wear my purple hat

Forgive me.

 

© Alison Jean Hankinson

This is for d’Verse.….mmmm have no idea if this is right…

The image is from flickr by Pamela Kelly.

 

 

 

The Four Last Songs. Music and Chaos.

A cadenza shrill and sharp

Pizzicato from the harp

Andante and legato

Swan song from the cello.

 

Clefs, chords and counterpoint

From fiery exposition to development

Magnificent muti-tonal orchestration

Tumultuous recapitulation.

 

Finally four last songs

Lamenting loss,  lyrical and forlorn

Musical maverick Strauss is gone

The garden mourns.

 

© Alison Jean Hankinson

This is for Real Toads, where the theme is Chaos. Bjorn talked of physics and mathematics, and it brought me round to music. Music is very mathematical and can be very precise and beauty and precision is borne from weaving together many delicate strands. It reminded me of two great twentieth-century composers who pushed music to its chaotic and mathematical limits. Alban Berg and Richard Strauss. Alban Berg’s Violin concerto is a masterpiece of mathematical precision, but  I opted for Richard Strauss’s Four Last Songs. The final line is from these and is the first line of September, written by Hermann Hesse.

These are my late September images…